Rugberry Journal

Gabbeh Dyed Rugs: Colour With Movement
Gabbeh Dyed is one of Rugberry's five cut pile textures: colour dyed so it drifts and bands across the rug, the way a Gabbeh does. How it differs from Ombré and abrash, and where it suits.
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Nuva: Handloom Silk in Camel, Chocolate and Beige
Nuva is handloom woven in silk, low and fine, in three warm tones. Here is why it belongs in the bedroom of an Indian apartment and how to size it around the bed.
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Patterned or Plain Rug: How to Decide
Count what is already patterned in the room before you choose. Here is when a plain rug is right, when a quiet pattern works better, and how to test both.
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Rug Samples and Swatches for Client Presentations
A rug swatch on a material board settles fibre, colour and hand in one move. Here is how to choose, label and present Rugberry swatches to clients.
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The Rugberry Custom Process for Designers
A custom rug moves through four stages: brief, colour, approval and making. This is how each one works at Rugberry for a residential project.
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Coordinating Rug and Curtain Colours
Curtains change the colour of your rug as much as your bulbs do. Here are tonal pairing ideas for sheer and blackout curtains, and when a contrast works better.
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How Ombre Gradients Are Made in Wool
An ombre rug changes tone slowly from one end to the other. Here is how makers build that gradient in wool, and what to look for before you buy one.
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How Custom Rug Colours Are Matched
Matching a rug to a paint or fabric colour is done with dyed yarn poms, approved in daylight. Here is what to send, and what a close match really means.
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Why Handmade Rug Colour Varies by Batch
Two rugs in the same colourway can differ slightly in shade. Here is why dye lots vary, why photos mislead, and how a swatch keeps a project on track.
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Rugs in connected rooms do not need to match. They need to belong to the same conversation. Here is how one family in several colours ties an open flat together.
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