At Bar Luce, Wes Anderson Built a Room Instead of a Set
Wes Anderson said he designed Bar Luce as the opposite of a film set: a bar for real afternoons. Why pastel formica and terrazzo work when they are tough as well as pretty.

Rugberry Universe
Homes, makers and the craft behind the rug.
Wes Anderson said he designed Bar Luce as the opposite of a film set: a bar for real afternoons. Why pastel formica and terrazzo work when they are tough as well as pretty.

Cafe de Flore and the Room That Refused to Change
Paris reinvented itself many times around Cafe de Flore, and the room barely moved: red seating, mahogany, mirrors. Why a fixed palette and good materials let a room outlast every fashion.